Joemeek wrote:
Big gigs an all that, you just don't get the intimacy. It's not fair to expect a musician to be a sound balance engineer too especially in an alien environment and often pressed for time. On a similar note, most, if not all "warm up" acts in such live circumstances don't have the same engineers as the headline act and it shows. Folks forking out good hard cash should have at least a decent level of sound quality. Of course it depends where your placed, we were at the back to the right of the mixer at Holmfirth and the sound was not as sweet as the centre, someone must have been in the sweet spot ! sound wise ! not visually... girls.. young ladys or whatever !
The sound was actually spot on at V Festival. It just seemed like a very insular performance after the banter of Holmfirth. The most he said all gig was "Enjoy the rest of the festival" before leaving the stage, which was a little odd seeing as he finished at the same time as Muse, the final act of the weekend. Anybody seeing Richard for the first time may well have thought "nice songs, no stage presence", which we know is far from true.
It was the third gig in three days after a lot of travelling (and possibly much beer?) and I don't want to sound like I'm moaning, it was just totally different to the usual Hawley show. Lady Solitude was still gorgeous and Oh My Love as powerful as ever, it just seemed a touch flat and a little rushed, as if he had an imminent holiday
It also felt like the end of the road in terms of the promotion of Ladys Bridge and in actual fact, the only gig left in the calendar is indeed the erm... End Of The Road festival. A break and then some time in the studio seems the perfect remedy. Then again, he could play a gig in Hicksville, UK in a fortnight and blow me away again.
A review is only one person's view and I'm just some cock from Manchester. Ho hum.